Chrishan – the way I do

RL – take it back

Chrishan – I changed

Sam – change

Claude kelly – hold you tonight

Taj – Outrun The Rain

Jackie boyz – and the band played

Chris brown – electric guitar

Young Steff – Disintegrate

danny fernandez – private dancer

city of my heart – lil eddie

rnb hot new 2008 music underground hip hop rap techno y yandel nina skye espanol english bules classical country electronic folk indie jazz pop

Duration : 0:10:17

Technorati Tags: alternative, blues, classical, Country, electronic, Folk, hip-hop, Indie, jazz, music, pop, Rap, Religious, rock, Soul, unsigned, world

Unlike many organists, she did not begin with piano. When she was 11 years old she began playing organ, including the use of the foot pedals. She took lessons for a year and a half from a teacher who played jazz himself. By the time she was 13 she was completely on her own in regard to her musical development.

Charlie Parker was her musical hero and biggest influence. While she respects Jimmy Smith’s musicianship and his enormous contribution to jazz organ, she did not model her playing, sound, technique or musical approach after his.

Like Jimmy, she developed her own personal style and unmistakable sound. Her artistic sensibilities are closer to Larry Young than Jimmy Smith, but they are still very much her own.

In the 80′s Jimmy Smith briefly moved from Hammond B3 to another make of organ, experimented with synthesizers and even played electric piano. In the 80′s Barbara also began to experiment, but she took a different approach.

She integrated midi technology into her B3 keyboard and sampled an upright bass to give her bass pedals a more realistic sound.

This video is one small glimpse into her musical world, I hope you’ll view the other clips on my channel, and enjoy clips by other great B3 players. My hope is that music is enjoyed as a celebration, and not a competition – it’s art not sport.

Barbara Dennerlein, Hammond B3 Organ. Dennis Chambers, Drums. (Not shown on clip: Andy Sheppard, Sax, Mitch Watkins, Guitar.) Vienna, 1992

PS If anyone knows Rick Rubin, he should see this clip.

Seeing is believing.

Duration : 0:5:5

Technorati Tags: b3, Barbara, bass, blues, Chambers, Dennerlein, Dennis, Hammond, hot, jazz, keyboard, organ, pedals, solo

By the time of his death in 1984 at the hands of his clergyman father, Gaye had won two Grammy Awards: one for Best Male R&B Vocal Performance and one for Best Instrumental Recording for the single, Sexual Healing.

Norman Whitfield first recorded “I Heard It Through the Grapevine” in early 1967 with Smokey Robinson & the Miracles as the vocalists. During the 1960s, Motown held Quality Control meetings each Friday morning to determine which new recordings would be released as singles. The Quality Control staff voted as a democracy, with Motown chief Berry Gordy also holding veto power. During one of those meetings, Whitfield presented the Miracles’ “Grapevine”, which was not chosen for release. Undaunted, Whitfield had The Isley Brothers re-record the song; their version also failed to gain a release.

Still determined that he and Barrett Strong had written a hit, Whitfield had “Grapevine” recorded a third time. Re-imagining the soul song as a slower, psychedelic-inspired record, Whitfield had Marvin Gaye record the lead vocal, with The Andantes on background vocals and Motown’s studio band The Funk Brothers playing a voodoo-like instrumental track.

It took Marvin Gaye two months to complete his recording of the song, which he worked on during April and May of 1967. Whitfield had Gaye’s lead vocal arranged just above his actual register, a trick he had used with David Ruffin on Temptations songs such as “Ain’t Too Proud to Beg” in order to elicit a rawer vocal from the singer as he strained to hit the high notes. The trick worked, and Gaye’s pained lead on “Grapevine”, contrasted with the softer vocals of the Andantes, made Whitfield sure he had finally recorded a hit. Motown label chief Berry Gordy was not impressed, however, and vetoed “Grapevine” at a Friday morning Quality Control Meeting. In its stead, the label issued another Gaye recording, “Your Unchanging Love”, as a single; “Your Unchanging Love” charted at number thirty-three on the Billboard Hot 100 chart, and number seven on the Billboard Black Singles (R&B) chart.

“I Heard It Through the Grapevine” has been rendered in several different ways, although the song’s theme, a relationship in the beginning stages of breakup, remains prominent in each version. The narrator in the song has no clue that his/her relationship is in a bad state, and only learns after hearing gossip “through the grapevine” that his/her lover is cheating. The narrator confronts the lover, and explains, through the lyrics, that, although the betrayal hurts the narrator deeply, it is the fact that the lover refused to inform the narrator of the infidelity that hurts the most.

Of the first four versions of the song produced by Norman Whitfield himself, only the Marvin Gaye version makes pain and confusion a clear part of the recording’s musical texture: Whitfield surrounds Gaye with horror-film strings, voodoo-styled drums and percussion, and an ominous Wurlitzer electric piano line doubled by the guitar. The Miracles’ version is a standard mid-tempo number, while Gladys Knight & the Pips’ version is built around bravado and a quick-tempo gospel feel.

Related Words:
60′s, 1960s, 60s, 1960′s, protest songs, songs of protest, pop singing, Sexual Healing, Ain’t No Mountain Higher, We Are The World, I Heard It Through The Grapevine, black Americans, African-Americans

Related Artists:
Isaac Hayes, Funk Brothers, Kim Weston, Tammi Terrell, Martha Reeves, Martha & the Vandellas, Don Covay, Arthur Conley, Mary Wells, The Temptations, The Supremes, The Spinners, Gladys Knight, Al Green, The Four Tops, Ashford & Simpson, The Rainbows, Big John Hamilton, Johnny Moore, Eddie Kendricks, Kenny Gamble, Lamont Dozier, Sylvia Moy, Sly & the Family Stone, The Moonglows, Benny Benjamin, Nona Gaye, Nat King Cole, Smokey Robinson, Sam Cooke, Jackie Wilson, R. Kelly, K-ci & JoJo, Isley Brothers, Avant, Bob Marley, Peabo Bryson, Luther Vandross, Teena Marie, Spandau Ballet, Lionel Richie, Commodores, Nightshift, George Michael, Diana Ross, Akon, James Jamerson, Earl Van Dyke

Duration : 0:3:20

Technorati Tags: Ballads, blues, Concerts, Gaye, Gospel, jazz, Live, love, Marvin, Motown, Performing, Piano, pop, R&B, rock, Singing, Sixties, Songs, Soul

Remember Unledded? This first special reunion of the “big half” of the band Led Zeppelin made possible for every fans to see them live.

Here’s just a snippet of what they did during this period of nearly one year, a video of the well known Black Dog played by all the band made up especially for this reunion.

Some kind of foretaste before the 2007 event!

Robert Plant : Vocals
Jimmy Page : Electric Guitar
Charlie Jones : Bass/Percussion
Michael Lee : Drums/Percussion
Porl Thompson : Guitar/Banjo

Recorded by Richard Wagstaff “Dick” Clark for American Music Awards.

MORE IN MY VIDEOS

The official website of the Potes of Beaucamps! http://tarteauxpotes.skyblog.com/

Duration : 0:4:6

Technorati Tags: 1994, Again, alternative, black, blues, classique, Dog, du, électronique, Folk, hip-hop, indépendant, jazz, label, led, London, monde, musique, musiques, Page, pays, Plant, pop, Rap, religieux, Reunion, rock, sans, Soul, Together, Tour, Unledded, Zeppelin, Zoso

Duration : 0:1:35

Technorati Tags: guitar, improvisation, jazz, music

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Valse d’Automne :

Composition enregistrée avec mon violon electrique Zeta 5 cordes, une pédale d’effets GT-3 Boss et une Loop Station RC-20XL .

Waltz that I’ve composed and registered with a Loop Station RC-20XL phrase recorder, a guitar effects processor GT-3 Boss and an electric violin, Zeta, 5 strings.

Duration : 0:1:51

Technorati Tags: boucle, electric, electrique, jazz, looper, solo, string, valse, violin, violinist, violon, violoniste, waltz, Zeta

Duration : 0:3:44

Technorati Tags: Be, bop, django, duke, electric, ellington, guitar, gypsy, honeysuckle, jazz, manouche, orchestra, reinhardt, rose, selmer, swing