You are currently browsing all posts tagged with 'rock'.

The Byrds-”Mr. Tambourine Man”-Frankie Avalon-5/11/65

  • May 17, 2011 6:20 am

The Byrds SECOND time on TV, EVER!

The band made their televison debut just three days before this broadcast, 5/8/65 on “Shivaree”.

This is a very interesting video for many reasons.

First, Gene Clark is on a Fender Xll 12 string guitar (As opposed to Tambourine), Gene & David’s vocal mics are not in the mix until the second chorus.

AND; the coolest anecdote of all:

If you listen carefully, you can hear Gene Clark’s barritone vocal part in the second chorus during “In the jingle jangle morning I’ll come following you”.

This part was NOT on the record; reason being is that Gene’s vocals were on the same track as Leon Russell’s electric piano, which was taken out of the mix.

The vocals here are LIVE, while the music is the recorded backing track.

Another noteworthy point; Roger McGuinn isn’t even pretending to “Sinc” his guitar part correctly, by playing his famous “Scruggsy picking style”, but rather strumming in earnest. :-)

Watch Gene Clark butt in on Frankie Avalon!!

Join us at The Byrds Yahoo! group:

http://launch.groups.yahoo.com/group/byrdmaniaxlist/

Duration : 0:2:43

The Byrds-”Mr. Tambourine Man”-Frankie Avalon-5/11/65 – continue reading

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Hotel California – The Eagles (1976)

  • January 29, 2011 8:44 am

“Hotel California” was the title song from the 1976 album of the same name by the American rock band The Eagles and was released as a single in February 1977. It is one of the best-known songs of the album-oriented rock era. Writing credits for the song are shared by Don Felder, Don Henley and Glenn Frey. The original recording of the song features Henley singing the lead vocals and concludes with an extended section of electric guitar interplay between Felder and Joe Walsh. “Hotel California” topped the Billboard Hot 100 singles chart for one week in May 1977. Three months after its release, the single was certified Gold by the Recording Industry Association of America representing 1,000,000 records shipped. The Eagles also won the 1977 Grammy Award for Record of the Year for “Hotel California” at the 20th Annual Grammy Awards in 1978. In 2009, the song “Hotel California” was certified Platinum (Digital Sales Award) by the RIAA for sales of 1,000,000 digital downloads. The song is rated highly in many rock music lists and polls. Rolling Stone magazine, for example, placed it as the 49th greatest song of all time. It is also one of The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll. The song’s guitar solo is ranked 8th on Guitar Magazine’s Top 100 Guitar Solos. As one of the group’s most popular and well-known songs, “Hotel California” has been a concert staple for the band since its release. “Hotel California” was an album released by The Eagles in December 1976. It is the first Eagles album without founding member Bernie Leadon and the first album with Joe Walsh. It is also the last album featuring original bass player and singer Randy Meisner. “Hotel California” was The Eagles’ fifth album of original material and became a critical success and a major commercial hit. Since its release, it has sold over 16 million copies in the U.S. alone. The album was at #1 for eight weeks in early 1977 (non-consecutively). The Eagles are an American rock band formed in Los Angeles, California in 1971 by Glenn Frey (born November 6, 1948), Don Henley (born July 22, 1947), Bernie Leadon (born July 19, 1947) and Randy Meisner (born March 8, 1946). The band’s membership over the years has also included Don Felder (born September 21, 1947), Timothy B. Schmit (born October 30, 1947) and Joe Walsh (born November 20, 1947). With five number one singles and six number one albums, The Eagles were one of the most successful recording artists of the 1970s. At the end of the 20th century, two of their albums, “Their Greatest Hits (1971–1975)” and “Hotel California”, ranked among the 20 best-selling albums in the U.S. ever. The Eagles broke up in July 1980, but reunited in 1994 for “Hell Freezes Over”, a mix of live and new studio tracks. They have toured intermittently since then, and were inducted into the Rock and Roll Hall of Fame in 1998. This channel is dedicated to the classic rock hits that have become part of the history of our culture. The incredible AOR tracks that define music from the late 60s, the 70s and the early 80s . . . Classic Rock is here!

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And coming in January 2011 . . .
DJ Buddy Love presents LONGEVITY . . .
A world record club DJ mixing marathon charity event . . .
121 hours nonstop to benefit cancer research . . .
Live to the world via UStream, Facebook, YouTube & Twitter . . .
More details coming soon . . .

Enjoy!!

;~}

Copyright 1976 Asylum Records
All Rights Reserved

Duration : 0:6:28

Hotel California – The Eagles (1976) – continue reading

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“La Bamba” by Ritchie Valens Preview Lesson

  • October 19, 2010 6:33 pm

Get this full lesson at:

http://www.ivideosongs.com/song/rock/electric-guitar/la-bamba/ritchie-valens/7660.aspx

La Bamba was recorded by Ritchie Valens as a single in 1958. In this iVideosongs title, instructor Steve Rieck shows you how to play one of the 1950′s most enduring songs that has become an essential party song for every occasion. While the song and guitar solo are relatively simple, the use of barre chord fingerings will challenge beginner-level players. This fast-tempo song can be played on an electric or acoustic steel string guitar in standard tuning.

Duration : 0:0:35

“La Bamba” by Ritchie Valens Preview Lesson – continue reading

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Party Like A Rockstar – Shop Boyz Piano Cover

  • July 13, 2010 6:58 am

David Sides playing a piano cover of “Party Like A Rockstar” by Shop Boyz.

Song Description:
“Party Like a Rockstar” is a rap song recorded by Shop Boyz. It was released as the first single from their debut album Rockstar Mentality (2007). It reached high success during summer 2007 and was successful in the United States, peaking in the top five on the Billboard Hot R&B/Hip-Hop Songs, Hot Rap Tracks, and Hot 100 charts.

The song is played with two electric guitar riffs (performed by Atlanta producer Billy Hume),It also makes references to certain rock figures such as Marilyn Manson, The Osbournes, Kiss, Queen, Bruce Springsteen, Red Hot Chili Peppers, and Travis Barker.

For a time, “Party Like a Rockstar” was the most played rhythmic, and rap song in the United States, according to Radio & Records It was featured in the video game NBA Live 08.

The remix features Lil Wayne, Jim Jones and Chamillionaire with more guitar riffs included. Jim Jones’ verse didn’t make it to iTunes’ remix, although Lil Wayne’s verse and Chamillionaire’s verse did. Another unofficial remix has been produced by Lil Jon and the Swedish composer Jay Orpin, who also wrote the first remix, but had Lil’ Jon make changes for the beat for this remix. That remix has been unofficially called the Orpinz Old Duff WWE Remix because some feel it resembles a professional wrestlers entrance music. There is also a freestyle version by J. R. Writer of Dipset as well as a remix by Trina and another one by rapper Bow Wow.

Cristal Athena Steverson from VH1′s “Flavor of Love” and Flavor of Love Girls: Charm School appear in the song’s music video.

The song gained some airplay in the UK on BBC Radio 1, and was added to the B-List on its playlist.

Lyrics:
yeahhh! y-y-y-yeah! y-y-y-yeah! y-y-y-yeah!

t-t-t-totally dude!

party like a rock
party like a rockstar
party like a rock
party like a rockstar
party like a rock
party like a rockstar
party like a rockstar

t-t-t-totally dude!

i’m on a money makin mission
but i party like a rockstar
i’m flyin down 20 lookin good in my hot car
you know them hoes be at my show
grabbin where my chain go
i’m tryna rap & hold my pants
but these hoes won’t let my thang go

i uwa like i uwa
cuz you know them hoes be tryin us
hoe don’t you know i wit fine dimes
that look like pamela
they fine & they hot bra
when i’m in the spot bra
yuh, i party like a rockstar!

[CHORUS X2]

HAAA! HAAA!
party like a rockstar
do it wit da black & da white
like a cop car
(YEAHHH!)
whoop, whoop,
me & my band man
on the yacht wit marilyn manson
gettin a tan man!
(uuwwaa)

(cool) you know me
wit a skull belt & wallet chain
shop boyz rockstars
yeah we bout to change the game
change the game? (uhhh ohhh)
they know that i’m a star
i make it rain from the center of my guitar

[CHORUS X2]

as soon i came out the womb
my momma knew a star was born
now i’m on the golf course
trippin wit da osbournes
i seen da show wit travis barker
rockstar mentality
i’m jumpin in the crowd
just to see if they would carry me

ey white wanna marry me
they see me they just might panic
my ice make em go down quick
like the titanic
yeah i’m wit da shop boyz
you know what we do
i’m surfin screamin kowabonga
TOTALLY DUDE!

[CHORUS X2]

Duration : 0:3:31

Party Like A Rockstar – Shop Boyz Piano Cover – continue reading

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Cobus – Owl City – Fireflies (Drum Cover/Rock Remix)

  • May 14, 2010 7:27 am

Laus Deo Semper

http://www.facebook.com/deedlebag

(by far most active here. fo shizzle.)

http://www.cobuspotgieter.com

(head over to the forum and tell everybody what you think of the video!)

This song has been playing on radios and on tv EVERYWHERE for a long time, so I had the idea to “remix” the track and to give it something extra, in the hopes of giving you guys a fresh take on the song you’ve probably heard a million times. I asked my good friend JP Smit (guitar genius, WHAT a legend) to write and record some little electric parts of the song, and it ended up giving the song an EPIC rock edge the original didn’t have! STOKED.

In terms of the drumming, SUCH a cool song to groove to! Could do cool little groovy patterns in the verses, and the choruses are powerful enough to make space for some solid 4/4 driven rock playing, my crashes weren’t too happy but oi.. ample fun. Respect to Mr Adam Young for creating a very very cool vibe.

Just as a sidenote (for the audio engineers and mixer who might be wondering) NO replacement or triggering was done in this mix. Every single stroke you hear was just eq’d, mixed, and compressed; I didn’t layer or trigger or replace anything.

~

Owl City – Fireflies
from the 2009 release “Ocean Eyes”
is the copyrighted property of its owner(s).

Extra electric guitar
written and performed by JP Smit,
Recorded and mixed by Cobus Potgieter.

~

Drums:
UDRUM | http://www.udrum.com
Cobus Potgieter LDS Signature Series

http://www.udrum.com/db/viewpic.php?ID=312

http://www.udrum.com/db/viewstore.php?ID=273

Cymbals:
TRX Cymbals | http://www.trxcymbals.com

Electronics:
Jobeky Electronic Drums | http://www.jobekydrums.co.uk

Recording equipment:
Samson | http://www.samsontech.com
supplied and imported by Audiosure, South Africa | http://www.audiosure.co.za

Skins and sticks supplied by
Music Connection | http://www.musicconnection.co.za/

Duration : 0:3:54

Cobus – Owl City – Fireflies (Drum Cover/Rock Remix) – continue reading

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rnb songs HOTTEST…and NEWEST ♪RnB♪ ♥love♥ songs! ♪ 2008/2009 HQ Sound

  • March 23, 2010 8:22 pm

DJ PHEANEX’S MIXTAPE playlist

Chrishan – the way I do

RL – take it back

Chrishan – I changed

Sam – change

Claude kelly – hold you tonight

Taj – Outrun The Rain

Jackie boyz – and the band played

Chris brown – electric guitar

Young Steff – Disintegrate

danny fernandez – private dancer

city of my heart – lil eddie

rnb hot new 2008 music underground hip hop rap techno y yandel nina skye espanol english bules classical country electronic folk indie jazz pop

Duration : 0:10:17

rnb songs HOTTEST…and NEWEST ♪RnB♪ ♥love♥ songs! ♪ 2008/2009 HQ Sound – continue reading

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Marvin Gaye I Heard It Through The Grapevine (1968)

  • March 19, 2010 8:27 pm

Born in 1939 in D.C. to a father from Kentucky and a mother from North Carolina, Marvin Gaye blazed the trail for the continued evolution of popular black music. Moving from lean, powerful R&B to stylish, sophisticated soul to finally arrive at an intensely political and personal form of artistic self-expression, his work not only redefined soul music as a creative force but also expanded its impact as an agent for social change. Marvin Gaye was one of the most gifted, visionary, and enduring talents ever launched into orbit by the Motown hit machine.

By the time of his death in 1984 at the hands of his clergyman father, Gaye had won two Grammy Awards: one for Best Male R&B Vocal Performance and one for Best Instrumental Recording for the single, Sexual Healing.

Norman Whitfield first recorded “I Heard It Through the Grapevine” in early 1967 with Smokey Robinson & the Miracles as the vocalists. During the 1960s, Motown held Quality Control meetings each Friday morning to determine which new recordings would be released as singles. The Quality Control staff voted as a democracy, with Motown chief Berry Gordy also holding veto power. During one of those meetings, Whitfield presented the Miracles’ “Grapevine”, which was not chosen for release. Undaunted, Whitfield had The Isley Brothers re-record the song; their version also failed to gain a release.

Still determined that he and Barrett Strong had written a hit, Whitfield had “Grapevine” recorded a third time. Re-imagining the soul song as a slower, psychedelic-inspired record, Whitfield had Marvin Gaye record the lead vocal, with The Andantes on background vocals and Motown’s studio band The Funk Brothers playing a voodoo-like instrumental track.

It took Marvin Gaye two months to complete his recording of the song, which he worked on during April and May of 1967. Whitfield had Gaye’s lead vocal arranged just above his actual register, a trick he had used with David Ruffin on Temptations songs such as “Ain’t Too Proud to Beg” in order to elicit a rawer vocal from the singer as he strained to hit the high notes. The trick worked, and Gaye’s pained lead on “Grapevine”, contrasted with the softer vocals of the Andantes, made Whitfield sure he had finally recorded a hit. Motown label chief Berry Gordy was not impressed, however, and vetoed “Grapevine” at a Friday morning Quality Control Meeting. In its stead, the label issued another Gaye recording, “Your Unchanging Love”, as a single; “Your Unchanging Love” charted at number thirty-three on the Billboard Hot 100 chart, and number seven on the Billboard Black Singles (R&B) chart.

“I Heard It Through the Grapevine” has been rendered in several different ways, although the song’s theme, a relationship in the beginning stages of breakup, remains prominent in each version. The narrator in the song has no clue that his/her relationship is in a bad state, and only learns after hearing gossip “through the grapevine” that his/her lover is cheating. The narrator confronts the lover, and explains, through the lyrics, that, although the betrayal hurts the narrator deeply, it is the fact that the lover refused to inform the narrator of the infidelity that hurts the most.

Of the first four versions of the song produced by Norman Whitfield himself, only the Marvin Gaye version makes pain and confusion a clear part of the recording’s musical texture: Whitfield surrounds Gaye with horror-film strings, voodoo-styled drums and percussion, and an ominous Wurlitzer electric piano line doubled by the guitar. The Miracles’ version is a standard mid-tempo number, while Gladys Knight & the Pips’ version is built around bravado and a quick-tempo gospel feel.

Related Words:
60′s, 1960s, 60s, 1960′s, protest songs, songs of protest, pop singing, Sexual Healing, Ain’t No Mountain Higher, We Are The World, I Heard It Through The Grapevine, black Americans, African-Americans

Related Artists:
Isaac Hayes, Funk Brothers, Kim Weston, Tammi Terrell, Martha Reeves, Martha & the Vandellas, Don Covay, Arthur Conley, Mary Wells, The Temptations, The Supremes, The Spinners, Gladys Knight, Al Green, The Four Tops, Ashford & Simpson, The Rainbows, Big John Hamilton, Johnny Moore, Eddie Kendricks, Kenny Gamble, Lamont Dozier, Sylvia Moy, Sly & the Family Stone, The Moonglows, Benny Benjamin, Nona Gaye, Nat King Cole, Smokey Robinson, Sam Cooke, Jackie Wilson, R. Kelly, K-ci & JoJo, Isley Brothers, Avant, Bob Marley, Peabo Bryson, Luther Vandross, Teena Marie, Spandau Ballet, Lionel Richie, Commodores, Nightshift, George Michael, Diana Ross, Akon, James Jamerson, Earl Van Dyke

Duration : 0:3:20

Marvin Gaye I Heard It Through The Grapevine (1968) – continue reading

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MISFITS on CAPITAL CHAOS 1999

  • March 18, 2010 8:22 pm

MISFITS @ The Crest Theater – Sacramento, CA 1999
The Misfits are an American rock band often recognized as the progenitors of the horror punk subgenre, blending punk rock and other musical influences with horror film themes and imagery. Founded in 1977 in Lodi, New Jersey by singer and songwriter Glenn Danzig, the group had a fluctuating lineup during its first six years with Danzig and bassist Jerry Only as the only consistent members. During this time they released several EPs and singles and, with Only’s brother Doyle as guitarist, the albums Walk Among Us (1982) and Earth A.D./Wolfs Blood (1983), both considered touchstones of the early-1980s hardcore punk movement. The Misfits disbanded in 1983 and Danzig went on to form Samhain and then Danzig. Several albums of reissued and previously unreleased material were issued after the group’s dissolution, and their music became influential to punk rock, heavy metal, and alternative rock music of the late 1990s and early 2000s.

http://www.misfits.com/

After a series of legal battles with Danzig, Only and Doyle regained the rights to record and perform as the Misfits. They formed a new version of the band in 1995 with singer Michale Graves and drummer Dr. Chud. This incarnation of the Misfits had a sound much more rooted in heavy metal and released the albums American Psycho (1997) and Famous Monsters (1999) before dissolving in 2000. Only then took over lead vocals and recruited former Black Flag guitarist Dez Cadena and former Ramones drummer Marky Ramone for a Misfits 25th Anniversary tour. This lineup released an album of cover songs entitled Project 1950 and toured for several years. In 2005 Ramone was replaced by Robo, who had played with Black Flag in the early 1980s and had also previously been the Misfits’ drummer from 1982 to 1983. The current lineup of Only, Cadena, and Robo continues to tour and has announced plans to record an album of new material.

http://www.myspace.com/themisfits

The Misfits were formed in January 1977 in Lodi, New Jersey by Glenn Danzig, who had previous experience performing in local bands. Naming the band after actress Marilyn Monroe’s final film The Misfits (1961), Danzig recruited guitarist Jimmy Battle, bassist Diane DiPiazza, and drummer Manny Martínez to fill out the lineup while Danzig himself sang and played the electric piano. Both Battle and DiPiazza left the band after a month of practices. Martínez recommended his friend Jerry Caiafa to Danzig as a replacement, as Caiafa had recently received a bass guitar as a Christmas gift. Caiafa was accepted into the band despite having only been practicing his instrument for two months. He and Danzig would remain the only consistent members of the Misfits until the group disbanded in 1983. The trio of Danzig, Martínez, and Caiafa rehearsed for three months without a guitarist, using Danzig’s electric piano to provide the songs’ rhythm. They recorded the band’s first single, “Cough/Cool”, which they released through their own label Blank Records in August 1977. Caiafa’s surname was misspelled on the record’s sleeve, prompting him to insist that in the future he be credited as “Jerry, only Jerry”. “Jerry Only” quickly became his pseudonym, which he would continue to use for the rest of his career. The band played their first two performances at CBGB in New York City, followed by other local performances over the following two months.

http://capitalchaos.net/

In August 1977 guitarist Frank Licata joined the band under the pseudonym Franché Coma. The addition of a permanent guitar player allowed Danzig to phase out the electric piano and focus on singing, and pushed the band’s sound in a punk rock direction. Danzig and Only ejected Martínez from the band in December, judging him to be unreliable, and replaced him with “Mr. Jim” Catania. The band found themselves with a recording opportunity when Mercury Records wished to use the name Blank Records for one of its subdivisions and offered Danzig thirty hours of free studio time in exchange for the trademark to the name. Danzig accepted, and in January 1978 the Misfits entered a New York recording studio to record their first album. Seventeen songs were recorded, fourteen of which were mixed for the proposed Static Age album. However, the band were unable to find a record label interested in releasing the album. Instead they released four of the songs in June 1978 as the “Bullet” single on their new label Plan 9 Records, named after the 1959 science fiction horror film Plan 9 from Outer Space. Static Age would not be released in its entirety until 1997.
http://en.wikipedia.org/wiki/Misfits_(band)

Duration : 0:2:29

MISFITS on CAPITAL CHAOS 1999 – continue reading

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EMERSON LAKE & PALMER (ELP) – Knife Edge

  • March 15, 2010 10:29 pm

from “Emerson, Lake and Palmer”(1970)
- Keith Emerson / keyboards
- Greg Lake / vocals, bass, electric & acoustic guitar
- Carl Palmer / drums, percussion

Duration : 0:3:59

EMERSON LAKE & PALMER (ELP) – Knife Edge – continue reading

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Led Zeppelin Reunion – Black Dog (Rare Video)

  • February 21, 2010 5:27 pm

Click ! http://tarteauxpotes.skyblog.com/

Remember Unledded? This first special reunion of the “big half” of the band Led Zeppelin made possible for every fans to see them live.

Here’s just a snippet of what they did during this period of nearly one year, a video of the well known Black Dog played by all the band made up especially for this reunion.

Some kind of foretaste before the 2007 event!

Robert Plant : Vocals
Jimmy Page : Electric Guitar
Charlie Jones : Bass/Percussion
Michael Lee : Drums/Percussion
Porl Thompson : Guitar/Banjo

Recorded by Richard Wagstaff “Dick” Clark for American Music Awards.

MORE IN MY VIDEOS

The official website of the Potes of Beaucamps! http://tarteauxpotes.skyblog.com/

Duration : 0:4:6

Led Zeppelin Reunion – Black Dog (Rare Video) – continue reading

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